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Chocolate Milk Goddesses as printed in the exhibition guidebook. 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Chocolate Milk Goddesses as printed in the exhibition guidebook. 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Chocolate Milk Goddesses https://freight.cargo.site/t/original/i/Y2773945800316333555433731259706/Milk-Guide-Square.png Making-of exhibition identity: Video thumbnail image: Lakisha Cohill. Chocolate Milk Goddesses as printed in the exhibition guidebook. 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https://freight.cargo.site/t/original/i/L2768855831858376253218786377018/RTR_01-04.png https://hydeslovelies.com/hard-graft-exhibition-marketing 2026-01-30T13:52:10+00:00 always 0.5 https://freight.cargo.site/t/original/i/V2218135676602477242968520785210/Hard-Graft_30sec-Trailer_1920x1080_website.mp4 Graphic design collaboration with illustrator Sabba Khan. Music by lildave215. https://freight.cargo.site/t/original/i/P2364370511916017215335341227322/Hard-Graft_6-in-a-row_cover.jpg Graphic design collaboration with illustrator Sabba Khan. Music by lildave215. https://freight.cargo.site/t/original/i/O2769064172300530292540846636346/hard-graft-animation.gif Graphic design collaboration with illustrator Sabba Khan. Music by lildave215. https://hydeslovelies.com/this-is-a-voice-book-design-illustrations 2026-01-30T13:52:06+00:00 always 0.5 https://freight.cargo.site/t/original/i/D1558053582467429392775297367354/DSC_0809.jpg https://freight.cargo.site/t/original/i/N1558053582504322880922716470586/DSC_0818.jpg https://freight.cargo.site/t/original/i/X1558053582448982648701587815738/DSC_0793.jpg https://freight.cargo.site/t/original/i/P1558053582522769624996426022202/DSC_0825.jpg https://freight.cargo.site/t/original/i/P1558064421165504550075411725626/endpaper.jpg https://freight.cargo.site/t/original/i/L1585052024421198381106623413562/Hydes-Index-Images6.png Commissioning Editor: Kirty Topiwala Managing Editor: Christopher Westhorp Assistant Editors: Rob Reddick and Francesca Barrie Managing, Concept and Collage Designer: Marianne Dear Illustrations and Layout Designer: Bret Syfert Production Coordinator: Petra Essing Printed and bound in Belgium by Cassochrome https://freight.cargo.site/t/original/i/S2149362348313470417243182726458/TIAV_Cover.png https://freight.cargo.site/t/original/i/I2218212224834998986610347081018/TIAV_Animation.mp4 https://hydeslovelies.com/backatcha-records:-label-identity 2026-01-29T10:16:25+00:00 always 0.5 https://freight.cargo.site/t/original/i/Q1557889686005579814834169707834/Love-Tempo-Insert_Front_BK-version.jpg https://freight.cargo.site/t/original/i/H1558122961649568050305531379002/interstate_new-york.jpg https://freight.cargo.site/t/original/i/K1558123300442469708055156358458/sugars-a.jpg https://freight.cargo.site/t/original/i/D1558123624625550059426816458042/Kpiaye7_A.jpg https://freight.cargo.site/t/original/i/A1558124791179198536745151102266/grap-luva.jpeg https://freight.cargo.site/t/original/i/X1558125113074882622976826801466/dolette_a.jpeg https://freight.cargo.site/t/original/i/H1558125563009417324826500267322/ETE-A-BK2-pic-label.jpg https://freight.cargo.site/t/original/i/P1558126237735975308900769725754/hot-vinyl_a.jpg https://freight.cargo.site/t/original/i/Q1558126437717127811986018794810/A_BK044.jpg https://freight.cargo.site/t/original/i/Q1558126746847664999210684775738/fungai_a.jpeg https://freight.cargo.site/t/original/i/P1558127106891215829873713216826/BK061_A.jpg https://freight.cargo.site/t/original/i/U1558127733674685966376858025274/Dolette-Sleeve-PM.jpg https://freight.cargo.site/t/original/i/T1558128142639002080517617351994/BK070_A.jpg https://freight.cargo.site/t/original/i/X1558128553706247019061265562938/BK052_A_SLEEVE.jpg https://freight.cargo.site/t/original/i/E1558128776303107756514424913210/BK055_A.jpg https://freight.cargo.site/t/original/i/W1558129119615461712322890038586/BK046_B_SLEEVE.jpg https://freight.cargo.site/t/original/i/I1558129661359441669025001897274/PB02_A.jpg https://freight.cargo.site/t/original/i/C1558130076650991000448137428282/BK022.jpeg https://freight.cargo.site/t/original/i/H1558130611200740768403524156730/mystic-harmony.jpeg https://freight.cargo.site/t/original/i/O1558131130052311329632082459962/hudson-people-sleeve.jpg https://freight.cargo.site/t/original/i/A1558131862185136871090476547386/Side-A-BK038.jpg https://freight.cargo.site/t/original/i/N1558132650008682771078006963514/Swave-Villi-Us.jpg https://freight.cargo.site/t/original/i/R1558132925049636910087421558074/bees_a.png https://freight.cargo.site/t/original/i/I1558133706582843080939994873146/backatcha-5.png https://freight.cargo.site/t/original/i/I1558134138089080453153826274618/BK082_A.png https://freight.cargo.site/t/original/i/K1558134138070633709080116723002/BK083_A.png https://freight.cargo.site/t/original/i/U1558134138033740220932697619770/BK085_A.png https://freight.cargo.site/t/original/i/Y1578388287746111873059947543866/BK-Making-Of-Short.mp4 Backatcha: The analog process: When starting Backatcha Records, we decided to give each of the labels for our vinyl releases the same attention to detail that we gave to the discs of plastic onto which these discs of paper would be stuck. Considering that we re-release a lot of older material, we could have simply scanned the original labels and reprinted them, slapping our logo somewhere. But as a designer, I found it much more interesting to try to recreate the original design aesthetic of these labels from scratch, working our name in as subtly as possible, if at all, so that anyone who was familiar with the originals would be like, "Oh wow. Look what they did there." The artwork from the 70s and 80s was often created by the band members or producers themselves, mixing their homemade art and logos with backgrounds and fonts chosen from whatever the presses literally had in-house. These were the days of paste-up design, before digital layout was even possible. If an original label has hand-painted elements, then I recreate the original aesthetic by painting them myself for the BK re-release, as with Dõlette Mcdonald, Christine Lewin / Tricia Dean and Aka Shaic. If someone in the band drew their logo with a felt tip marker, then I do the same, as with Ice Band. Sometimes I simply re-drew logos exactly as they were and other times I introduced our own little additions, in-jokes and middle-fingers-up to the haters and culture vultures. Other times I create completely original art that I think suites the artists, their music and the time and place it was made, as with Jady Kurrent / Ja'Net Dubois and Theatre West. It was fun to see some of these new designs fool bootleggers so well that they used our art, assuming it was the original. Other fun things we have done to go the extra mile have been using uncoated paper, grouping releases with original sleeve art, using spot colors / metallic inks and even adding original illustrations by Theodore Richards. When Aidan reaches out to artists in the first place in the hopes of putting out their work, it always starts from a longstanding love for the material. When those artists finally get the physical BK release back from us, I hope they smile. https://freight.cargo.site/t/original/i/I2175038443922264439963450080570/Backatcha: The People Behind The Music Backatcha: The People Behind The Music: Aidan and I spent a week on the East Coast of the US interviewing some of the artists and producers behind BK releases, and here is the short documentary film that resulted. I’ll be forever grateful for how warmly we were received, and, of course, Greg Henderson is the man! https://freight.cargo.site/t/original/i/K2175069749319782866158501494074/Sleeve-front_WEBSITE.png https://freight.cargo.site/t/original/i/Z2175158801032138931240056388922/BK-Making-Of.00_00_23_21.Still001.jpg Backatcha: The analog process: When starting Backatcha Records, we decided to give each of the labels for our vinyl releases the same attention to detail that we gave to the discs of plastic onto which these discs of paper would be stuck. Considering that we re-release a lot of older material, we could have simply scanned the original labels and reprinted them, slapping our logo somewhere. But as a designer, I found it much more interesting to try to recreate the original design aesthetic of these labels from scratch, working our name in as subtly as possible, if at all, so that anyone who was familiar with the originals would be like, "Oh wow. Look what they did there." The artwork from the 70s and 80s was often created by the band members or producers themselves, mixing their homemade art and logos with backgrounds and fonts chosen from whatever the presses literally had in-house. These were the days of paste-up design, before digital layout was even possible. If an original label has hand-painted elements, then I recreate the original aesthetic by painting them myself for the BK re-release, as with Dõlette Mcdonald, Christine Lewin / Tricia Dean and Aka Shaic. If someone in the band drew their logo with a felt tip marker, then I do the same, as with Ice Band. Sometimes I simply re-drew logos exactly as they were and other times I introduced our own little additions, in-jokes and middle-fingers-up to the haters and culture vultures. Other times I create completely original art that I think suites the artists, their music and the time and place it was made, as with Jady Kurrent / Ja'Net Dubois and Theatre West. It was fun to see some of these new designs fool bootleggers so well that they used our art, assuming it was the original. Other fun things we have done to go the extra mile have been using uncoated paper, grouping releases with original sleeve art, using spot colors / metallic inks and even adding original illustrations by Theodore Richards. When Aidan reaches out to artists in the first place in the hopes of putting out their work, it always starts from a longstanding love for the material. When those artists finally get the physical BK release back from us, I hope they smile. https://hydeslovelies.com/ladies-of-hip-hop:-organisation-identity 2026-01-30T13:52:06+00:00 always 0.5 https://freight.cargo.site/t/original/i/U1578402572148406046714627358010/10000000_131313799566856_2612430353041406601_n.mp4 https://freight.cargo.site/t/original/i/T1578404473030042610262792731962/295062729_2976334992673819_7437304542314384114_n.mp4 https://freight.cargo.site/t/original/i/P1850253638305479956363649219898/lohh-bold0001.png https://freight.cargo.site/t/original/i/Z1850253638342373444511068323130/lohh-script0000.png https://freight.cargo.site/t/original/i/T1850253638287033212289939668282/lohh-bold0000.png https://freight.cargo.site/t/original/i/F1850253638360820188584777874746/lohh-script0001.png https://freight.cargo.site/t/original/i/Y1876776861620995374346179706170/Brandwalldancers_02.mp4 https://freight.cargo.site/t/original/i/I2509533404182869058675032718650/LOHH-outside-loop.mp4 https://hydeslovelies.com/levis-vintage-album-cover-designs 2026-01-29T10:16:25+00:00 always 0.5 https://freight.cargo.site/t/original/i/B1557884670667907566533857246522/BlueDazeDay1-2662.jpg Imagined Chris Lewis album cover design https://freight.cargo.site/t/original/i/E1558033090827988136225046527290/BlueDazeDay2-4611.jpg Imagined Luther Allison album cover design https://freight.cargo.site/t/original/i/Z1558033090846434880298756078906/BlueDazeDay2-5456.jpg Imagined Brandee Younger album cover design https://freight.cargo.site/t/original/i/P1558033090809541392151336975674/BlueDazeDay2-3302-3932.jpg Imagined Ismail Lawal album cover design https://freight.cargo.site/t/original/i/U1558039334294540579886176927034/STACY_WEB.jpg Imagined Stacy Dillard album cover design https://freight.cargo.site/t/original/i/T1578392541233253877155778264378/Levis-Jazz.mp4 The analog process: It was loads of fun creating imagined album covers in the style of late 50s–60s jazz 12" sleeves for contemporary artists Chris Lewis, Stacy Dillard, Ismail Lawal, Luther Allison and Brandee Younger. Respect to Levis Vintage Clothing for going the extra mile to hire real musicians instead of models to wear their clothes for this photo shoot, and for being down with my approach of incorporating plenty of practical analog techniques before entering the computer world. All of these album covers and many more great photos by Immo Klink have been beautifully published in the seasonal collectible hardcover lookbooks. <hr />I looked at 100s of classic covers before creating my interpretations, but the main ones that I referenced are below, and we mostly bit from the Blue Note dream team of Reid Miles and Francis Wolff: <hr />Freddie Hubbard – Hub-Tones (1962) | Label: Blue Note | Design: Reid Miles | Photography: Francis Wolff <hr />Nat King Cole / George Shearing – Nat King Cole Sings / George Shearing Plays (1961) | Label: Capitol Records | Photogaphy: Ken Veeder <hr />Art Blakey And The Jazz Messengers – Art Blakey And The Jazz Messengers (1958) | Label: Blue Note | Photography: Buck Hoeffler <hr />Jackie McLean – Swing, Swang, Swingin' (1960) | Label: Blue Note | Design: Reid Miles | Photography: Francis Wolff <hr />Willis Jackson – 'Gator Tails (1964) | Label: Verve Records | Design: Acy R. Lehman | Photography: Chuck Stewart <hr />Herbie Nichols Trio – Herbie Nichols Trio (1956) | Label: Blue Note | Design: Reid Miles | Photography: Francis Wolff <hr />Lee Morgan – Search For The New Land (1966) | Label: Blue Note | Design: Reid Miles | Photography: Francis Wolff <hr />Pharoah Sanders – Tauhid (1967) | Label: Impulse! | Design: Joe Lebow | Photography: Charles Stewart <hr />Don Cherry – Complete Communion (1966) | Label: Blue Note | Design: Reid Miles | Photography: Francis Wolff <hr />The audio of the above video was taken from an interview with John Coltrane recorded July 18, 1966 at Tokyo Prince Hotel for TBS Television, Inc. and which was pressed as a promotional 7" flexi which came with the first pressing of the Japanese release of A Love Supreme in 1967. https://freight.cargo.site/t/original/i/C2364233138367264257724622568762/_Levis_Cover_Brandee_Younger.jpg Imagined Chris Lewis album cover design https://hydeslovelies.com/national-youth-jazz-orchestra-live-music-animation 2026-01-29T10:16:25+00:00 always 0.5 https://freight.cargo.site/t/original/i/R1604266694017590955676159704378/Speechmik & Nucleus_Milton Court Animation Edit NYJO performing Speechmik & Nucleus. Photo by <a href="https://www.instagram.com/msj_photos/?hl=en" target="_blank">Monika S. Jakubowska</a> Guest Artist - Nikki Yeoh Musical Director - Mark Armstrong Visuals – Bret Syfert Alto 1 - Lydia Cochrane Alto 2 – James Harms Tenor 1/Sop – Benjy Sandler Tenor 2/Sop - Ruben Ross Bari – Jared Meade Flute/Alto Flute - Rianna Henriques Bass Clarinet – John Kelly Trumpet 1 – Mejedi Owusu Trumpet 2 – Olivia Cuttill Tenor Trombone – Jess Bull Anderson Bass Trombone – Jai Patel Guitar – Dhiraj Kainth Piano – Max Rosen Bass – Hani Elias Drums – Miles Pillinger Percussion – Sophie Warner Violin 1 – Sophia Kannathasan Violin 2 – Eve Abiodun Viola – Laura Moisey-Gray Cello – Emily Henderson https://freight.cargo.site/t/original/i/A1821487366634485879482322517306/Nikki-Yeoh---NYJO-Present--Speechmik-X-Ploration8.jpg Nikki Yeoh. Photo by <a href="https://www.instagram.com/msj_photos/?hl=en" target="_blank">Monika S. Jakubowska</a> https://freight.cargo.site/t/original/i/M2222457096572757408984661753146/The-Roots_Website_small.mp4 Nucleus sample animations by Bret Syfert https://freight.cargo.site/t/original/i/L2222457096535863920837242649914/Elasti-Rock_Website_small.mp4 Nucleus sample animations by Bret Syfert https://freight.cargo.site/t/original/i/P2364575466200042108237268647226/Nikki-Yeoh---NYJO-Present--Speechmik-X-Ploration9.jpg NYJO. Photo by <a href="https://www.instagram.com/msj_photos/?hl=en" target="_blank">Monika S. Jakubowska</a> https://freight.cargo.site/t/original/i/P2506245433718995393089991081274/Nikki-Yeoh---NYJO-Present--Speechmik-X-Ploration_Thumb.png Nikki Yeoh. Photo by <a href="https://www.instagram.com/msj_photos/?hl=en" target="_blank">Monika S. Jakubowska</a> https://hydeslovelies.com/the-cult-of-beauty-exhibition-marketing 2026-01-29T16:57:48+00:00 always 0.5 https://freight.cargo.site/t/original/i/Y2217860436607969678227864288570/COB-Burst-01_30sec_1920x1080_website.mp4 Credits: Curator: Janice Li | Curatorial team: Adam Rose, Sophie Schneider | Exhibition Project Managers: Bryony Harris, Nelly Ekström, Matt Nightingale, Emma Smith | Registrars: David Chan, Lisa Evans | Production Manager: Chris Kingham | Audio Visual: Ollie Isaac, Jeremy Bryans, Ricardo Barbosa, Joshua McCrow | Conservators: Kath Knowles, Robert Spicer, Sarah Bird | Digital Guide production: Wellcome Collection Digital Engagement, Wellcome Multimedia & Audiovisual Team | Exhibition design: Pup Architects | Graphic design: Wolfe Hall | Trailer and marketing design: Bret Syfert | Typeface: Seb McLauchlan | Lighting design: Satu Streatfield | Exhibition Technicians: Lawrence Corby, Lucy Woodhouse, Joseph Richards, Keith Martin, Alex Drew | Interpretation Advisor: Minnie Scott | Audio guide: VocalEyes, Justin Margovan, Lewis Sellars, Antonina Stulova | BSL guide: Samuel Dore, Ahmed Mudawi, Alexandra Shaw, Louis Neethling, Ricardo Barbosa | Exhibition build: Sam Forster Associates | Graphic Production: Omni Colour https://freight.cargo.site/t/original/i/M2364371407708356178744877251898/Cult-Of-Beauty-Thumbnail.png Credits: Curator: Janice Li | Curatorial team: Adam Rose, Sophie Schneider | Exhibition Project Managers: Bryony Harris, Nelly Ekström, Matt Nightingale, Emma Smith | Registrars: David Chan, Lisa Evans | Production Manager: Chris Kingham | Audio Visual: Ollie Isaac, Jeremy Bryans, Ricardo Barbosa, Joshua McCrow | Conservators: Kath Knowles, Robert Spicer, Sarah Bird | Digital Guide production: Wellcome Collection Digital Engagement, Wellcome Multimedia & Audiovisual Team | Exhibition design: Pup Architects | Graphic design: Wolfe Hall | Trailer and marketing design: Bret Syfert | Typeface: Seb McLauchlan | Lighting design: Satu Streatfield | Exhibition Technicians: Lawrence Corby, Lucy Woodhouse, Joseph Richards, Keith Martin, Alex Drew | Interpretation Advisor: Minnie Scott | Audio guide: VocalEyes, Justin Margovan, Lewis Sellars, Antonina Stulova | BSL guide: Samuel Dore, Ahmed Mudawi, Alexandra Shaw, Louis Neethling, Ricardo Barbosa | Exhibition build: Sam Forster Associates | Graphic Production: Omni Colour https://freight.cargo.site/t/original/i/G2769054856344284931816799075642/cult-of-beauty-title.gif Credits: Curator: Janice Li | Curatorial team: Adam Rose, Sophie Schneider | Exhibition Project Managers: Bryony Harris, Nelly Ekström, Matt Nightingale, Emma Smith | Registrars: David Chan, Lisa Evans | Production Manager: Chris Kingham | Audio Visual: Ollie Isaac, Jeremy Bryans, Ricardo Barbosa, Joshua McCrow | Conservators: Kath Knowles, Robert Spicer, Sarah Bird | Digital Guide production: Wellcome Collection Digital Engagement, Wellcome Multimedia & Audiovisual Team | Exhibition design: Pup Architects | Graphic design: Wolfe Hall | Trailer and marketing design: Bret Syfert | Typeface: Seb McLauchlan | Lighting design: Satu Streatfield | Exhibition Technicians: Lawrence Corby, Lucy Woodhouse, Joseph Richards, Keith Martin, Alex Drew | Interpretation Advisor: Minnie Scott | Audio guide: VocalEyes, Justin Margovan, Lewis Sellars, Antonina Stulova | BSL guide: Samuel Dore, Ahmed Mudawi, Alexandra Shaw, Louis Neethling, Ricardo Barbosa | Exhibition build: Sam Forster Associates | Graphic Production: Omni Colour https://hydeslovelies.com/puppet-nice-in-a-minute 2026-01-30T13:52:07+00:00 always 0.5 https://freight.cargo.site/t/original/i/D2129314134454822564176811261242/Bill-Withers.mp4 Bill Withers: 5 April 2020 https://freight.cargo.site/t/original/i/O2129315320543573015553561066810/Carribean-Queen-Tings.mp4 Carribean Queen: 6 April 2020 https://freight.cargo.site/t/original/i/P2129315642365470125490398559546/The-Shogun.mp4 The Shogun: 7 April 2020 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https://freight.cargo.site/t/original/i/W2129801158972389706107652930874/_SE-The-Darker-Beauty_v3.mp4 The Darker Beauty: 6 August 2020 https://freight.cargo.site/t/original/i/Z2129801355319533626672120331578/_SE-Alabama.mp4 Alabama: 7 August 2020 https://freight.cargo.site/t/original/i/I2129801633219733097106515426618/_SE-You-Are-Wonderful.mp4 You Are Wonderful: 10 August 2020 https://freight.cargo.site/t/original/i/J2129802646259577393013961522490/_SE-The-Chairman.mp4 The Chairman: 11 August 2020 https://freight.cargo.site/t/original/i/X2129810442739066658208532921658/_SE-People-Unite.mp4 People Unite: 12 August 2020 https://freight.cargo.site/t/original/i/I2129810728940300961812226243898/_SE-T.I.M.E-.mp4 T.I.M.E.: 13 August 2020 https://freight.cargo.site/t/original/i/T2129811106139323781025137687866/_SE-Live-And-Direct.mp4 Live And Direct: 14 August 2020 https://freight.cargo.site/t/original/i/E2129811598169328459080007941434/AD-Bodyrock.mp4 Body Rock: 15 August 2020 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